Last edited by Goltijar
Wednesday, July 22, 2020 | History

3 edition of Veṇu-gīta found in the catalog.

Veṇu-gīta

the song of Kr̥ṣṇa"s flute : Śrīmad-Bhāgavatam, tenth canto-chapter twenty-one

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Published by Śrī Gauḍiya Vedānta Samiti in [Mathurā] .
Written in English


About the Edition

Portion of Hindu mythological text; on the cult of Krishna (Hindu deity).

Edition Notes

English and Sanskrit.

Statement[edited] with original Devanāgarī text, roman transliteration, synonyms, translation, and elaborate commentary [by] Bhaktivedānta Nārāyaṇa Mahārāja.
ContributionsBhaktivedānta Nārāyaṇa, 1921-
Classifications
LC ClassificationsBL1140.4.B4342 V4613 1995
The Physical Object
Paginationxx, 167 p. ;
Number of Pages167
ID Numbers
Open LibraryOL19205189M
ISBN 108186737154

  Examples are the first madhura-rasa verses in the tenth canto, the pūrva-rāga (x), as well as the veṇu-gīta (x). In rāsa-līlā, the appeal of the gopis to Krishna not to reject them (x) and a few other verses including the last of the . veṇu-gīta-gati-mūla-vedhase brahma-rāśi-mahase namo namaḥ ||77|| (rathoddhatā) I bow again and again before Him (Kṛṣṇa), whose glowing complexion is embellished with the kuṅkuma powder glorified by its place on the breasts of the cowherd men's wives, who is the original creator of the flute song, and who possesses the glory of.

In Bengali, the ‘a’ at the end of a written word is sometimes not pronounced. In this book, such ‘a’s are in gray scale (e.g., kīrtana, jaya). However, the silent ‘a’s are sometimes pronounced to fill in the meter. We have left these ‘a’s in gray scale. The singer can decide whether to pronounce them or not. In this book, we have followed a scheme specifically designed to aid authentic pronunciation. We have added in three new characters: ĵ, ḓ, and ô. ‘Ĵ’ is pronounced exactly the same as ‘j’ and ‘ô’ is pronounced exactly the same as ‘o’, but the marks are added because the .

  From a lecture given at Śrī Rūpa-Sanātana Gauḍīya Maṭha in Vṛndāvana on Febru by Śrīla Bhaktivedānta Nārāyaṇa Mahārāja (Śrī Hari-kathāmṛta Volume Two) Tomorrow is the day that nitya-līlā-praviṣṭa oṁ viṣṇupāda Śrīla Bhakti Prajñāna Keśava Mahārāja appeared in this mortal world. On his birthday my gurudeva, starting with his own guru. Gaudiya Giti-Guccha - 6th ed. - Free ebook download as PDF File .pdf), Text File .txt) or read book online for free. Livro Gaudiya Vaishnava de canções devocionais em Hindi, Bengali e Sânscrito.


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Veṇu-gīta Download PDF EPUB FB2

Śrīmad-Bhāgavatam is the fully ripened, nectarean fruit of the desire tree of all Vedic literature, and within this Śrīmad-Bhāgavatam, gopī-prema has been ascertained to be the ultimate objective of the living being.

In the chapter called Veṇu-gīta, some of the towering waves of this gopī-prema can be seen.5/5(1). Śrīmad-Bhāgavatam is the fully ripened, nectarean fruit of the desire tree of all Vedic literature, and within this Śrīmad-Bhāgavatam, gopī-prema has been ascertained to be the ultimate objective of the living being.

In the chapter called Veṇu-gīta, some of the towering waves of this gopī-prema can be seen. A yearning to be immersed in this nectarean ocean sprouts in the hearts of. Śrīmad-Bhāgavatam is the fully ripened, nectarean fruit of the desire tree of all Vedic literature, and within this Śrīmad-Bhāgavatam, gopī-prema has been ascertained to be the ultimate objective of the living being.

In the chapter called Veṇu-gīta, some of the towering waves of this gopī-prema can be seen, and yearning to be immersed in this nectarean ocean sprouts even in the. Get this from a library. Veṇu-gīta: the song of Kr̥ṣṇa's flute: Śrīmad-Bhāgavatam, tenth canto-chapter twenty-one.

[Bhaktivedānta Veṇu-gīta book -- Portion of Hindu mythological text. The book contains three separate ancient histories of Ratha-yātrā as well as an elaborate description of Śrī Caitanya Mahāprabhu’s inner moods during the festival.

In the chapter called Veṇu-gīta, some of the towering waves of this gopī-prema can be seen. A yearning to be immersed in this nectarean ocean sprouts in the hearts of. amṛta-veṇu-gīta—of the sweet songs of the flute Antya śrī-gīta-govinda—the Gīta-govinda, by Jayadeva Gosvāmī Madhya śrī-gīta-govinda—a celebrated poem by Jayadeva Gosvāmī Madhya śrī-gīta-govinda—the famous book by Jayadeva Gosvāmī Antya The author quotes some nice ṭīkās here of Jīva Gosvāmī to the Veṇu-Gīta.

On Raghunāth's request Vidyāratna, who turns out to be different from Vidyābhūṣaṇa, then predicts the appearance of the author's Guru, who will open temples travelling in metal vimānas (airplanes) and write a. This book, Śrī Guru Darśana, is a revelation or darśana of the life of Śrīla Bhaktivedānta Nārāyaṇa Gosvāmī Mahārāja, an eternal associate of Rādhā-Kṛṣṇa sent from Vraja, as well as his darśana or teachings to the world.

He came in an unbroken succession of divine masters, descending from the Supreme Lord Himself, the. my humble Pranams to the readers of Krsna karnamrta Lord Caitanya brought 2 books from His trip to South India one was Krsna karnamrta the other was Brahm. amṛta-veṇu-gīta—and sweet songs of Your flute Madhya amṛta-veṇu-gīta—of the sweet songs of the flute Antya bājāilā veṇu—played the flute Antya ei veṇu—this flute Antya kala-veṇu-gītam—sweet vibrations made by playing the flute Madhya Veṇu-gīta – The Song of Kṛṣṇa's Flute.

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Starting at. Veṇu-gīta – The Song of Kṛṣṇa's Flute. Starting at: $ Add to Wishlist | Add to Compare; Verdades Secretos del Bhagvatam / Secret Truths of the Bhagavatam (Spanish Edition) Starting at: $ Add to Wishlist | Add to Compare; Walking With A Saint Starting at.

The construction progressing agreeably, (for the “Rupa Sanatana Gaudiya Math” in Vrndavan) Śrīla Gurudeva focused on arranging Deities for the temple.

He told the brahmacārī assistant who was managing the work in Vṛndāvana, “Tomorrow we will go to Jaipur and meet with sculptors.” That night, Śrīla Gurudeva dreamt of Vṛndā-devī. Śrīmad-Bhāgavatam is the fully ripened, nectarean fruit of the desire tree of all Vedic literature, and within this Śrīmad-Bhāgavatam, gopī-prema has been ascertained to be the ultimate objective of the living being.

In the chapter called Veṇu-gīta, some of the towering waves of this gopī-prema can be seen. - Literary gems of the Gaudiya Vaishnava tradition.

See more ideas about Literature, Literary, Krishna lila pins. Śrīla Bhaktivinoda Ṭhākura gives the following summary of this Seventeenth Chapter in his Amṛta-pravāha-bhāṣya.

Absorbed in transcendental ecstasy, Śrī Caitanya Mahāprabhu went out one night without opening the doors to His room. After crossing over three walls, He fell down among some cows belonging to the district of Tailaṅga. Śrī Kṛṣṇa’s form is so captivating that even He is astonished when He sees Himself.

His beautiful form embodies the topmost limit of exceedingly good fortune and opulence. Indeed, ornaments usually beautify the person wearing them, but Śrī Kṛṣṇa’s form is so beautiful that He actually increases the beauty of His ornaments. Book Now At the center of the ashram is the sacred image of Murali Krishna, whose names together mean, “With the sounds coming from his flute, he is the divinity who draws us to himself.” Many yogis and scholars have contemplated this divine call to love.

The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly demonstrates.

Using their upraised ears as vessels, the cows are drinking the nectar of the flute-song flowing out of Kṛṣṇa’s mouth. The calves, their mouths full of milk from their mothers’ moist nipples, stand still as they take Govinda within themselves through their tear-filled eyes and embrace Him within their hearts.

Book Description: The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, theBhagavata a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly.kā stry aṅga te kala-padāmṛta-veṇu-gīta-sammohitārya-caritān na calet tri-lokyām trailokya-saubhagam idaṁ ca nirīkṣya rūpaṁ.

Kṛṣṇa speaks very sweetly, cooling all hearts. The receiver of His speech feels cooled and filled with power. And if that person passes that message on to another, it becomes even more helpful.